Confession 波妃美咲
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剧情简介
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告别武器
海伦·海丝,加里·库珀,阿道夫·门吉欧,玛丽·菲利普斯,杰克·拉鲁,布朗什·弗雷德里克,玛丽·福布斯,吉尔伯特·埃默里,爱丽斯· 亚岱尔,亨利·阿尔梅塔,赫尔曼·宾 ,Agostino Borgato,Robert Cauterio,玛塞勒·科尔代,基诺·科拉多,George Humbert,威廉·欧文,多丽丝·劳埃德,弗雷德·马拉泰斯塔,保罗·波尔卡西,Tom Ricketts,Frederick Sullivan亨利(加里·库柏 Gary Cooper 饰)是一位热血沸腾的青年,战争爆发了,他自愿前往意大利,成为了一名救护车驾驶员。在意大利,亨利结识了名为凯瑟琳(海伦·海丝 Helen Hayes 饰)的美丽护士,之后,亨利因为受伤被送进了米兰医院,在那里,他和凯瑟琳重逢了。住院期间,亨利和凯瑟琳坠入了情网,凯瑟琳的腹中亦怀上了亨利的骨肉。伤愈之后,亨利回到了战场,却发现我军的士气大跌,处处弥漫着惨淡的气氛。上司开始大量处决涉嫌逃跑的士兵,亨利亦难以幸免,他侥幸逃脱了自己人的枪子,他决定找到凯瑟琳,两人逃离战场,去过他们与世无争的日子。然而,意大利警察的追捕紧随其后,两人踏上了逃亡的旅途。
全面追缉令
摩根·弗里曼,莫妮卡·波特,迈克尔·维克特,迪伦·贝克,米卡·波瑞姆,安东·叶利钦,金·霍桑,杰伊·桑德斯,比利·伯克,迈克尔·莫里亚蒂,佩内洛普·安·米勒,安娜·玛利亚·霍斯福德,克里斯托弗·谢尔亚历克斯(摩根·弗里曼 Morgan Freeman 饰)是一名资历丰富的警探,这一次,他被派遣负责国会议员女儿被绑架一案。杰姬(莫妮卡·波特 Monica Potter 饰)是负责保护被绑架女孩安全的特工,正为了自己的疏忽和失职自责不已,趁此机会,她强烈要求成为亚历克斯的搭档,一同侦破此案。 随着调查的深入,一个名为加里(迈克尔·温科特 Michael Wincott 饰)的男人浮出了水面,除了绑架了议员的女儿,他还和城中发生的数起绑架案有着千丝万缕的联系。亚历克斯和杰姬随即展开了岁加里的追捕,然而,老奸巨猾的加里并不会轻易的被警方捕获,恰恰相反,在不知不觉间,亚历克斯走入了加里所设下的弥天陷阱之中。
大蛇5:怪兽都市
张傲月,梁颂晴,包贝尔,释彦能,姜超,苑琼丹,石兆琪,邬天,谭琍敏,毛凡太平洋雨夜,海滩尸骸遍野,货船遭巨兽撕碎,灾难预兆降临。边郊监狱内,死刑犯乌川临刑前夜遇史前大蛇袭击,混乱中越狱,却在唐人街被女警秦雅擒获。 恰逢驲珲化工爆发蛇灾,乌川母亲被困车间,他拒捕欲救人,此时各类史前怪兽肆虐,城市沦为炼狱。二人与幸存者躲进超市,合力斩杀潜藏怪物。众人查明,驲珲化工违规排海才引生物报复。 吴川挺身营救母亲与幸存者,击败大蛇阻止二次污染
阿爸请你嘛嘛吼
邱凯伟,严正岚,陈峻廷,张哲伟,潘慧如,赖铭伟一名对父亲误解深重的女儿(严正岚饰),在父亲性命垂危时决定「观落阴」,试图唤回父亲灵魂,并意图将千万家产据为己有。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
乱马12:中国昆仑大决战!破坏计划之激斗篇!!
山口胜平,林原惠美,日高范子,盐泽兼人,玉川纱己子,大林隆介,绪方贤一,高山南,井上喜久子,铃置洋孝,井上和彦,鹤弘美,山田荣子,松井菜樱子,山寺宏一,佐久间玲,关俊彦,岛津冴子,吉村佣,子安武人,真殿光昭,石田彰,永井一郎,麻生美代子又是一个平静的日子,内裤爱好者八宝斋(永井一郎 饰)四面出击,惹得乱马(山口勝平 饰)、小茜、良牙(山寺宏一 饰)、珊璞(佐久間レイ 饰)等人纷纷加入进来,在镇上惹出巨大的骚动。正当众人闹得不可开交之时,一头裹挟着黑色杀气的大象突然袭来。它和美丽的主人向八宝斋发起攻击。与此同时,天空阴云密布,一艘巨船出现在空中。他们是来自中国内地寝昆仑的七福道神,这群神秘之人不仅抢走骑象少女带来的奥义经卷,还虏走了小茜。乱马一众不堪就范,决定启程前往中国……本片根据高桥留美子的漫画《乱马1/2》改编,系该动画的剧场版第一部。
德尔苏·乌扎拉
马克西姆·蒙祖克,尤里·索洛明,斯韦特兰娜·丹尼尔琴科这是一部极为出色的关于人与自然的电影。1902年和1907年,沙俄军官阿尔谢尼耶夫两次率领勘探队到乌苏里地区探险,都巧遇赫哲族老猎手德尔苏·乌扎拉。德尔苏.乌扎拉为勘探队充当向导,并挽救了阿尔谢尼耶夫的生命,与之建立了深厚的情谊。德苏对大自然相当了解与尊重,藉由他的示范 与见解,让人们了解大自然的伟大与残酷,人是可以与大自然和平相处,但当大自然被破坏时,人们将是第一个遭殃。德苏是一个神枪手,但后来在一次打猎时,德苏发现自己的眼睛因为身体衰老而退化,看不清猎物了,十分沮丧。他随阿尔谢尼耶夫到大城市伯力居住。但是,城市文明德苏却无法习惯,城市和他过去赖以生存的地方,那片纯朴的自然大地是完全不同的。猎人离开枪,离开了他所熟悉的环境,仿佛鱼儿离开了水。“城里没法狩猎,不狩猎就没有貂”“我突然想念空气。”他象是被囚禁了一般,闷闷不乐。德苏执意回到山里,回到那片密林。但是,猎人没有好的视力,便是最大的悲剧。猎人不能猎杀,自己便被会猎杀。勇敢的德苏虽然带着阿尔谢尼耶夫送给他的新猎枪,但是他却死了……