18乱伦
ltgt１８岁的伦子是一个立志要成为医生的贵族学校纯情处女高材生，一天伦子回家发现父亲留给她的字条：伦子对不起，我公司曾经破产了，而我亦与妈妈离了婚，我要立刻分开这裡，你今後本人好好地生活艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan！一夜之间，伦子变成无家可归，前路茫茫，为了生计，伦子不惜一切寻觅工作，不过身为一个学生，真实很难找到工作呢！在毫不知情的状况下，伦子遇到大人iV制造公司的社长泽仓，泽仓对纯真的伦子甚感兴味，决议起用她，伦子便开端她拍摄iV的幕後工作 ltgtm和n打架了 m最后认错了 因为 m sorry
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狂鲨风暴
菲比·黛内芙,杰曼·翰苏,科斯塔·德安杰洛,马特·纳夫莱,惠特尼·皮克,艾莉拉·布朗,史泰西·克劳森,以利亚·昂格瓦里,安德鲁斯·李斯,Amy Mathews,Gemma Dart,Dante Ubaldi,Jon Prasida,Sian Luxford,Sami Afuni,Akosia Sabet,柴·汉森在一场毁灭性的飓风中，一个沿海小镇正奋力对抗大自然的愤怒以及鲨鱼的袭击。在倾盆大雨、飞散的残骸和伸手不见五指的黑暗中，他们团结一心，勇敢面对致命的掠食者，努力在风暴中生存下来。
围困4
尤里·索洛明,叶甫盖尼·列别杰夫,伊琳娜·阿库洛娃,弗拉季斯拉夫·斯特尔热利奇克,亚历山大·拉辛,鲍里斯·戈尔巴托夫,谢尔盖·哈钦科,Roman Gromadsky,Aleksei Presnetsov,米哈伊尔·乌里扬诺夫,丹尼尔·萨加尔,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛图欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir本片是苏联伟大卫国战争系列史诗巨片之一部。影片尽情歌颂了苏联人民，在德国法西斯围困列宁格勒的900个艰难的日日夜夜，所表现出来的顽强精神。影片及表现了苏军大本营对列宁格勒的战略布防，也表现出列宁格勒市民面对生死的坚忍不拔。同时也是为数不多的苏联战争影片，客观地表现了战争初期红军失利，以及红军将领伏罗希洛夫元帅组织列宁格勒城防的失败。影片还展现了列宁格勒基洛夫工厂，冒着的德军轰炸，坚持为前线生产武器，以及军队和市民通过城市唯一与外界的通道——拉多加湖通道，运送粮食、武器和其他战略物资的场面。该片还较为详实地展示了希特勒攻占列宁格勒的计划，以及红军与市民联手防御，共同抗敌的画面。这部影片，将战争的全景展示与战壕细节完美地结合起来，直到今天仍不失为一部反法西战争的优秀影片，很值得观赏和借鉴。
非请勿进
斯蒂芬·多尔夫,娜塔莎·麦克艾霍恩,斯蒂芬·瑞麦克（斯蒂芬·多尔夫 Stephen Dorff 饰）是一名心怀大志的警探，最近，一宗连环杀人案件吸引了他的注意，已经有四人成为了残酷凶手刀下的猎物。在搭档泰瑞（娜塔莎· 麦克艾霍恩 Natascha McElhone 饰）的帮助下，麦克开始了对案件的调查。随着调查的深入，一个惊悚的网站逐渐浮出水面，四名受害者在死前48小时都登陆过这个网站，在一个代号为“黑寡妇”的神秘女人的支配下，他们似乎用生命做赌注加入了一场游戏。为了查明真相，麦克决定以身试险，他登入了网站，与此同时，他生命的最后48小时开始了倒数，麦克必须在此时限内将真凶绳之于法，否则，他的结局会和先前的那四个人一模一样。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
如何大赚一笔
格伦·鲍威尔,玛格丽特·库里,杰西卡·亨维克,比尔·坎普,扎克·伍兹,托弗·格雷斯,艾德·哈里斯,詹姆斯·弗兰切威勒,拉夫·洛,史蒂夫·马克,露露·泰勒,安德烈·雅各布斯,Maggie Toomey,肖恩·卡梅伦·迈克尔,内尔·威廉姆斯,乔·瓦兹,马丁·门罗,比安卡·阿玛托,罗伯特·霍布斯,伊桑·桑德斯本是豪门继承人的贝克特·雷德费洛（格伦·鲍威尔 Glen Powell 饰）被家族抛弃，为了确保成为巨额遗产的唯一继承人，他不择手段干掉了七个亲戚。影片灵感来源于1949年的喜剧《仁心与冠冕》。
仿生人妻子
乔纳森·莱斯·梅耶斯,埃莱娜·康博里斯,多隆·贝尔,阿加·达什,Alix Villaret,Fletcher Donovan,莎拉·桑帕约,Rachelle Goulding,凯特琳·史崔克,C.J. Perry威廉丧妻后，从AI公司得到一位与亡妻样貌相同的仿生人，在人工智能开发的斗争中，一个神秘组织试图通过破坏仿生人的程序来让仿生人获得自由...