浮世舞姬
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan Set in the Philippines during the 1940's, Celestina is a story about a woman, a burlesk dancer, who struggles to provide for her family while her husband is a gambling and womanizing drunkard. Despite the hardships, Celestina perseveres and finds strength in her love for her son.
剧情简介
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan Set in the Philippines during the 1940's, Celestina is a story about a woman, a burlesk dancer, who struggles to provide for her family while her husband is a gambling and womanizing drunkard. Despite the hardships, Celestina perseveres and finds strength in her love for her son.
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地下角斗士
戴拉·绍,黎唯,黎明Duke and Yan, two long time rivals, are competing in the world’s most dangerous underground fighting tournament, where powerful crimelords can gamble and influence who they fight, the terrain they fight on and what weapons will be used. In this high-stakes bloodsport where one wrong move can mean certain death, they must decide whether to play by the rules or to cast their honor aside and team up against the dark syndicate running the tournament and bring the entire system down.
山羊的救赎
12岁的哈迪亚被迫嫁给了她埃及村庄的一位长老，她带着家里的山羊穿越沙漠寻找父亲，父亲很快开始用她已故母亲的声音和她说话
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
致命录像带3：病毒
Carrie Keagan,Justin Welborn,杰西卡·卢扎,兰迪·麦克道维尔,Emilia Zoryan,Emmy Argo,Michael Aaron Milligan1）魔术师但丁依靠神秘的斗篷在时尚都会挣下超高的人气，但是斗篷中藏着可怕的秘密，但丁则用录像记录下了一切。直到某天助理斯卡莉特将录像带交给警方，一切昭然若揭；2）野生科学家阿方索制造了一个连通平行空间的大门，他和另一个世界的自己交换空间，到对方的世界进行15分钟的探险，却发现彼此的世界有着天壤之别。3）三个热衷做极限运动的年轻人偶然来到一处画着神秘图案的场所玩耍，不知不觉中遭到一群恐怖之人的包围和袭击；夜幕下的城市突然响起刺耳的警笛声，警方和疯狂逃跑的冰淇淋车展开夺命追逐。卡文和女友艾瑞丝外出张望，谁知一转眼艾瑞丝竟消失不见，卡文疯了一般四下寻找。现代化的社会，人们依赖影像大刷存在感，却都变成了转瞬即逝的数据碎片……
赤赤炼恋
土屋太凤,吉泽亮,千眼美子,吉田羊,大杉涟,有森也实熙攘喧嚣的大都会东京，游魂漫无目的地行走在城市的每一个角落。身穿校服的女高中生树里（土屋太凤 饰）曾经将自己深锁屋中，拒不登校，后来则选择从公寓楼顶一跃而下，结束了自己十几年匆匆的人生。此去经年，她早已忘记当初自杀的理由，甚至有时忽略了已经死去的事实。细细回想生前事，曾有交到的倾心好友，也曾有运动出色的青梅竹马，而如今俱成过眼云烟。曾经讨厌嘈杂低端的她，现在反而喜欢身处其中。树里仿佛是城市中唯一一个亡灵，没有任何说话对象，除了那些怂恿失落的人自杀的虫男。 这是她的孤独地狱，没有止境的旅程……
噬童魔
杰西卡·麦丽奥德,Hannah Cheramy,约翰·埃梅特·特雷西,Jana Mitsoula,格内维夫·布彻纳,Connor Stanhope,乔安娜·纽马奇,Craig March孤儿萨曼塔，和她的养父母以及妹妹奥利弗住在一起，但是他的养父并不喜欢她，老是责骂她。由于他们的家位于森林深处，所以回家必须经过森林，但是，他们不知道森林里有树怪，他们能诱捕儿童，然后把抓到的孩子困到他们的巢穴，然后再幻化成孩子的模样，回到他们的父母身边，所以数百年来，这片森林数百年来都有儿童走失的案例，不幸的是，由于萨曼塔的疏忽，让她的妹妹独自穿过森林，然后就被树怪掳走啦，接着就发生了一连串死亡事件，那么萨曼塔一家能够逃过一劫吗？
疾患
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