宇能鸿一郎之桃色网球
平成『ガメラ』シリーズの金子修介監督によるスポッ根ドラマ！ あたし、お尻が勝手に動いちゃうんです！ 『エースをねらえ!』をPOPでキッチュにパロディ化。『ガメラ3 邪神＜イリス＞覚醒』『ゴジラ?モスラ?キングギドラ』の金子修介監督処女作品。主演は、“アイドル女優No.1”の山本奈津子。あどけなさの残る顔でヤラしく熱演する。共演は、“セクシーNo.1”林亜里沙と石井里花。エッチなリターンエースをねらいます艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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剧情简介
平成『ガメラ』シリーズの金子修介監督によるスポッ根ドラマ！ あたし、お尻が勝手に動いちゃうんです！ 『エースをねらえ!』をPOPでキッチュにパロディ化。『ガメラ3 邪神＜イリス＞覚醒』『ゴジラ?モスラ?キングギドラ』の金子修介監督処女作品。主演は、“アイドル女優No.1”の山本奈津子。あどけなさの残る顔でヤラしく熱演する。共演は、“セクシーNo.1”林亜里沙と石井里花。エッチなリターンエースをねらいます艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
人气佳作
魔力，魔力
艾米莉·布朗宁,迈克尔·塞拉,朱诺·坦普尔,卡塔琳娜·桑地诺·莫雷诺,阿古斯丁·席尔瓦怪形前传
玛丽·伊丽莎白·温斯特德,乔尔·埃哲顿,乌尔里奇·汤姆森,艾瑞克·克里斯蒂安·奥森,阿德沃尔·阿吉纽依-艾格拜吉,保罗·布朗斯坦,琼德·埃斯彭·塞姆,Kim Bubbs,尤尔根·朗赫勒,简·冈纳·勒伊斯,斯蒂格·亨里克·霍夫,克里斯托弗·海维尤,霍·阿德里安·哈万,卡斯腾·拜卓隆,乔纳森·沃克,迈克尔·布朗摩斯拉2 海底大决战
小林恵,山口紗弥加,羽野晶紀,満島ひかり,野波麻帆边境交易
Abylai MARAT,Omurbek IZRAILOV,Meerim ATANTAEVA,Begaiym ASANAKUNOVA,Akylbek MURATALIEV,Jenishbek SMANOV,Atai OMURBEKOV导演精选
逃离夺命岛
After a mysterious accident at a research camp on the Isle of Gran Manan, a CEO hires a team of blue-collar mercenaries to extract his daughter, a scientist working at the camp. Upon arrival, the team soon learns that not only is the island surrounded by a wormhole that causes time to reset every three days, but it's also crawling with hideous monsters. As they learn more about the nature of time, space, and the creatures on the island, they quickly realize that death may be the easiest way to escape the island.
造孽
克莱尔小时候有个假想的朋友，长大后她回到童年的家，却遭到“曾经朋友”的折磨。尽管是一部美式恐怖片，风格却非常多元化，从预告可窥紧绷于弦的气氛。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster