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达芙妮·基恩,苏菲·奈丽丝,珀西·海恩斯·怀特,尼克·弗罗斯特,艾丽·斯考比,杨子英,斯蒂芬·卡林,米卡·阿蒙森,迈克尔·科拉斯,贾纳娅·斯蒂芬斯,兰内特·瓦雷,特洛伊·詹姆斯,贾利勒·斯瓦比,蒋如思,朱莉娅·迪扬,Cameron Gordon Norris,Toria Summerville,Louis Adams,梅努卡·萨瓦尔,克里斯蒂娜·萨赫利弗兰茨
伊丹·魏斯,彼得·库尔特,耶诺夫法·波科娃,伊凡·特洛伊,Sandra Korzeniak,卡塔琳娜·斯塔克,塞巴斯蒂安·施瓦茨,亚伦·弗里斯,卡罗尔·舒勒,Gesa Shermuly,扬·布达尔,约瑟夫·特洛伊,卡雷尔·多布雷,Daniel Dongres,René Hofschneider,米哈尔·伊斯特尼克,弗拉迪米尔·雅沃尔斯基,Václav Jirácek,Michal Kern,Stepán Klán防风少年电影版
水上恒司,木户大圣,纲启永,池龟树音,中泽元纪,上杉柊平,八木莉可子,山下幸辉,滨尾矩考,曾田陵介,萩原护,高桥里恩非礼勿视
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于尔根·福格尔,莫里兹·布雷多,佩特拉·施密特-夏勒,格奥尔格·弗里德里希,赖纳·博克嘎啦
瑪菲司,储榢逸,李恩佑,徐灏翔影视排行
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罗素·克劳,芮安·辛普金斯,萨姆·沃辛顿,克洛伊·贝利,亚当·戈德堡,亚德里安·帕斯达,戴维·海德·皮尔斯,特雷西·邦纳,玛塞奈·丽奈特,约书亚·约翰·米勒,哈莉·塞缪尔斯,汉娜·布莱克,萨曼莎·玛西丝,杰登·方丹,扎克·帕德罗,查德·迈克尔·贝尔德,德鲁·布罗德里克芮安·辛普金斯([布里斯比熊])、克洛伊·贝利(《成长不容易》)加盟，罗素·克劳主演的米拉麦克斯打造的超自然惊悚片[乔治城项目](The Georgetown Project，暂译)。约书亚·约翰·米勒、M·A·福廷自编自导。克劳将饰演陷入困境的演员安东尼·米勒，他在拍摄一部恐怖片的时候，开始变得不安。与他疏远的女儿(芮安饰)想知道他是不是再次毒瘾发作，还是遭遇了什么邪恶的东西。克洛伊饰演这部恐怖片中的女演员。影片目前在华盛顿拍摄中。
水底惊魂
丹尼尔·祖瓦图,邦妮·丹尼森,克里斯·康罗伊,乔尼·奥尔西尼,葛瑞芬·纽曼,Mackenzie Rosman,马克·马戈利斯阳光明媚的日子里，约翰（丹尼尔·佐瓦特 Daniel Zovatto 饰）和凯蒂（邦妮·戴尼森 Bonnie Dennison 饰）、麦特（克里斯·克罗伊 Chris Conroy 饰）、齐克（格里芬·纽曼 Griffin Newman 饰）、西蒙（约翰尼·奥希尼 Jonny Orsini 饰）和黛比（Mackenzie Rosman 饰）等五名好友，驱车来到一个毗邻湖边的僻静所在进行他们毕业前的纪念派对。他们划着小船来到湖中央，曾经有着恐怖记忆的约翰对这片水域颇多忌惮，但是他胆大妄为的伙伴们则竞相跳入水中，享受戏水的快乐时光。谁知好景不长，先是小船遭到猛烈碰撞，接着黛比被一条怪鱼咬伤致死。 年轻人的噩梦由此展开，他们的磨难还未就此结束，嗜血猎手渐次向他们逼近……
洛杉矶之战
艾伦·艾克哈特,拉蒙·罗德里格兹,威尔·罗斯海尔,科里·哈德里克,吉姆·帕拉克,基诺·安东尼·佩西,尼欧,詹姆斯·廖,布里吉特·莫伊纳汉,诺尔·费舍,阿德托库姆布斯·麦克马克,布赖斯·卡斯,迈克尔·佩纳,米歇尔·罗德里格兹,小尼尔·布朗,泰勒·汉德雷,乔伊·金,卢卡斯·提尔,Kenneth Brown Jr.,雅丹·古尔德,乔·克里斯特,E·罗杰·米切尔,罗斯·布莱克维尔,苏西·阿布罗梅特,布兰迪·科尔曼,大卫·詹森,汤姆·希尔曼,莉娜·克拉克,塔琳·萨瑟恩,詹姆斯·D·德弗,Dane Brown,Gra2011年夏天，无数枚陨石坠落地球，竟导致12个国家的沿海城市系数毁灭。原来陨石实则有一群神秘的外星人操纵。外星人凭借陨石着陆地球，展开残酷无情的屠杀和破坏。作为世界上的头号超级大国，美国自然也无法避免这场灾难，随着入侵者的则多，美国只有西太平洋的洛杉矶暂未沦陷。海军陆战队中士麦克·纳兹（艾伦·艾克哈特 Aaron Eckhart 饰）受命编入威廉姆·马丁内斯中尉（拉蒙·罗德里格兹 Ramon Rodriguez 饰）的小分队，准备与外星人展开殊死搏杀。 适值此时，外星入侵者成功登陆，并杀入人口稠密的圣莫尼卡区。军方决定诱敌深入，再对敌人施以空中打击。为了营救无辜，纳兹和马丁内斯的小分队义无反顾冲了进去……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.