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夏日躁动
Fanta Kebe,希雷尔·纳塔夫,艾蜜儿·班特,伊迪尔·阿祖格利,Yuming Hey,苏赞妮·德芭奎,Zakaria-Tayeb Lazab,Mouctar Diawara,Nicola Bulatovic,Mohamed Dramé,Yassine Mahavita,Aymane Mazit,Djibril Diamoye,Nour Lajiri,Fatoumata Koné,Lilya Jabelmeki,Mariam Diamoye,Cynthia Hounkpati,Zeinab Karam尸骨袋2
皮尔斯·布鲁斯南,梅利莎·乔治,安娜贝丝·吉什,阿尼卡·诺尼·罗斯,马特·弗里沃,杰森·普雷斯利,凯特琳·卡迈克尔,彼得·麦克内尔,威廉·沙勒特,黛博拉·艾伦,Gary Levert,Joel Freckelton,乔迪·布朗男孩2026
赵炳奎,柳仁秀,崔允珍,徐仁国导师2025
Sornram Aneklap,帕林亚·昂萨南,塔那万·霍查雷拉哈,尼措空·卡琼伯利叻,因托楚克·英拓楚克·倥拉玛苏皖,Sueangsuda Lawanprasert紧箍咒之不法山
陈龙,南笙,言杰,南伏龙,宫海滨,余薇薇,周文韬,周仲,杨博潇,赵文明,于昀汐混凝土乌托邦
李炳宪,朴叙俊,朴宝英,金善映,朴持厚,罗哲,金度允,南镇福,金学善,朴周勇同类推荐
沉默的镜像
蒂莫西·赫顿,费尔南多·古林·库弗,米格尔·安赫尔·西尔维斯特这是一部B级的惊悸片领衔主演的是曾获得奥斯卡奖的蒂莫西·赫顿. 欧洲警察特工Tom Brindle（由蒂莫西·赫顿扮演）负责调查Pygmalion的案件,这家伙在 法国和西班牙杀害了很多女孩，是一个连环杀手... @幕后 蒂莫西·赫顿在1980年罗伯特·雷德福（Robert Redford）导演的第一部影片《凡夫俗子》（Ordinary People）中扮演一位企图自杀年轻人，他敏感、细致入微出色表现为赢得了包括奥斯卡最佳男配角奖内多项表演奖当时还不满20岁
利欲两心
马修·麦康纳,阿尔·帕西诺,蕾妮·罗素,阿曼德·阿山特,杰里米·皮文,杰米·金,凯文·查普曼一次偶然中，布兰登（马修·麦康纳 Matthew McConaughey 饰）发现自己竟然拥有一项如此神奇的特异功能——他能够准确预测出每周末举行的橄榄球比赛的结果。这一能力彻底扭转了布兰登失意而又颓废的生活，同时也将他卷入了金钱和利益所构造的漩涡之中。 沃特（阿尔·帕西诺 Al Pacino 饰）经营着一家体育顾问公司，布兰登的神奇能力在他的眼中无异于是一根点石成金的魔杖。野心勃勃的他找到了布兰登，千方百计的说服了后者加入了他的公司。从此，沃特的事业扶摇直上，布兰登也在沃特的身上找到了亲情和友情。但随着布兰登的能力的逐渐流逝，他和沃特之间的关系也开始了动摇。两人心中都有各自的想法，而最终的赢家只有一个。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
明明不是我！
阿部宽影片改编自浅仓秋成创作的同名小说，讲述了一个在社交媒体上，毫无根据的信息被视为“真相”，并逐渐演变成重大事件的现代冤案恐怖故事。阿部宽饰演的主角是大型住宅建材公司的营业部长山县泰介，有一天突然在社交媒体上被指认为“杀人事件的凶手”，个人信息被曝光。虽然完全无辜，却被社会追捕、陷入“网络风暴”之中，不得不逃亡。
青空在上，身在山谷
Michal Zachensky,Eva Mores,Jana Olhová,Adam Suniar,Attila Mokos本片是斯洛伐克导演卡塔琳娜·格拉玛托娃的长片首作，带有半自传色彩。15岁的少年埃诺和祖母在乌特奇卡的村子里过暑假，他喜欢摩托，无心学业，每天和村子里的男孩们混在一起。埃诺十分崇拜在外工作的母亲，内心希望能和她一起生活，但随着村子里流言四起，埃诺渐渐发现，母亲并不如想象中那样善良，而成长也总是伴随着痛苦和挣扎。