女老师3
池恩认识了一个叫标准的有钱男人，为了拿下他，她决定做标准的儿子尚宇的课外老师，课外辅导开始后，尚宇刚好被女友惠兰甩了，被亲切地老师池恩深深吸引，有一天，尚宇目睹了爸爸和池恩的性事，陷入了失落之艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。另一方面，标准偷听池恩和朋友语音通话，发现池恩和自己在一起的目的只是为了钱，标准最终跟池恩分手，而池恩的魔爪伸向了尚宇...
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左拉传
保罗·穆尼,盖尔·桑德加德,约瑟夫·希尔德克劳特,格洛丽亚·霍顿,唐纳德·克里斯普威廉．狄特尔执导的这部影片获得了第十届奥斯卡最佳影片等三个奖项。故事描述法国文坛巨匠左拉的一生经历，以及他为了正义而不屈不挠的精神。重点讲述他为军官德雷福克斯平反冤案时的遭遇和他不畏强权势力的正义感。保罗．茂尼和约瑟夫．史屈克劳的演出精彩令人难忘，就几场法庭辩论戏这部分而言，本片也可视为法庭电影的先锋。
极乐
欧文·威尔逊,萨尔玛·海耶克,玛德琳·奇玛,内斯塔·库珀,乔舒华·莱纳德,小豪尔赫·兰登伯格,钱信伊,德龙·霍顿,史蒂夫·齐西斯,梅西·麦克利,凯蒂·麦克凯布,Debbie Fan,Erin Flannery,凯拉·亚当斯,Megan Le,达林·库珀,克里斯托弗·艾伯,斯科特·道格拉斯麦·克拉克伦故事讲述刚离婚不久的格雷格(威尔逊饰)遇到了迷人的伊莎贝尔(海耶克饰)。伊莎贝尔住在大街上，认为这个被污染、破败不堪的世界并不是真实的。她相信这个丑陋的世界是在一个美丽、和平、“真实”的极乐世界的内部。起初格雷格表示怀疑，但他最终发现这个理论很有道理。
恶人当道
姜皓文,廖子妤,凌文龙,叶童,尹扬明,苏天乐,张国强,张松枝,麦子乐,周祉君,赵伊祎,欧阳伟豪讲述一名已退隐的社团老大，因一群受收购重建问题被欺压的街坊而重出江湖的故事。
化劫
黄冠智,雷嘉汭,刘子铨,曾莞婷,黄腾浩,柯叔元,于子育,席惟伦影片改编自笭菁的同名恐怖小说。 万万不可将八字交给他人，否则……后果自负。
防风少年电影版
水上恒司,木户大圣,纲启永,池龟树音,中泽元纪,上杉柊平,八木莉可子,山下幸辉,滨尾矩考,曾田陵介,萩原护,高桥里恩本片改编自同名人气不良少年漫画，以“偏差值最低、打架最强”的风铃高校为舞台，讲述为成为最强而来到这座城市的少年樱遥（水上恒司 饰），加入守护街道的义气不良组织“防风铃”，与伙伴们并肩作战、守护街道的热血故事。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.