白昼的恶魔

评分:1.0 播放:55万 更新:2026-06-10
主演: 大岛渚/

  松子是一名乡村女教师,思想非常先进的她发起了青年民主共同农业经营运动,成为了组织者,和松子一起奋斗的,还有英助、志野和源治等人。源治一直痴痴的爱慕着松子,无法自拔。最终,因为源治的背叛,运动以失败告终,源治妄图向松子求婚,也遭到了对方的拒绝和唾弃,绝望之中,源治选择了自杀。                                      源治的死大大撼动了松子的心灵,在松子最脆弱的时候,英助趁虚而入捕获了她的芳心,两人结为海外影视

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  A grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.

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Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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