ワケあり母乳人妻よしこ（仮） Hカップ爆乳ミルクタンクを完全穢し揉み

　　After a mysterious accident at a research camp on the Isle of Gran Manan, a CEO hires a team of blue-collar mercenaries to extract his daughter, a scientist working at the camp. Upon arrival, the team soon learns that not only is the island surrounded by a wormhole that causes time to reset every three days, but it's also crawling with hideous monsters. As they learn more about the nature of time, space, and the creatures on the island, they quickly realize that death may be the easiest way to escape the island.

改编自二宫敦人的超人气恐怖小说《恶鬼病毒》，讲述YouTuber内川智樹带着他的朋友日名子、颯太和奈々枝来到传闻中有着神秘失踪事件的旧石尾村拍摄一段调查都市传说的视频。几天后，警方在村外的一条隧道附近发现了四人租用的汽车，而在现场发现的一台摄像机则记录下了令人震惊的画面。紧锁的房屋、身着武装制服的儿童、被关起来的成年人，以及在新月之夜发病的成年人......这个村子里究竟发生了什么？

 太阳正在被“吃”掉，绝望吞噬地球。⼀名“平凡”的中学教师格雷斯（瑞恩·⾼斯林 饰）背负全人类的希望，踏上“太空不归路”。末路孤旅中，他意外遇到一位外星萌友，一个同样身陷绝境的外星工程师，这对“宇宙搭子”成了两个文明最后的救命稻草。他们能否在资源紧缺的情况下攻克重重科学谜题，寻回唯一的希望火种？影片改编自安迪·威尔的同名畅销科幻小说。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster