剧情简介
一群生活在费罗纳修道院的修女们，在老院长升天后，权利的诱惑，姐妹们对院长一职进行了一场勾心斗角、明争暗斗、互相残杀的殊死较量，以及修女们不甘孤独的病态偷情
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猎杀游戏
格伦·鲍威尔,乔什·布洛林,迈克尔·塞拉,科尔曼·多明戈,凯蒂·M·奥布莱恩,李·佩斯,威廉·H·梅西,西恩·海耶斯,大卫·札亚斯,杰米·劳森,艾米莉亚·琼斯,卡尔·格洛斯曼,丹尼尔·埃兹拉,李·查尔斯,桑德拉·迪金森,乔治·卡罗尔,索菲·西蒙特,奥妮克·阿德莉,乔伊·安沙,布兰登·伯克在近未来的反乌托邦社会，电视真人秀《过关斩将》（The Running Man）以血腥的生存竞赛霸占收视榜首。参赛者被称为“跑者”（Runners），必须在职业杀手的追猎下存活30天，一举一动皆被实时直播给嗜血的公众观众；每多活一天，便能累积更高额奖金。 工人阶级的本·理查兹（格伦·鲍威尔 饰）为拯救重病女儿孤注一掷，被节目魅力十足却冷酷无情的制作人丹·基利安（乔什·布洛林 饰）说服，以“最后希望”的身份踏入这场死亡游戏。 然而，本的叛逆、求生本能与坚韧意志，竟让他意外成为全民追捧的偶像——同时也成了整个体制的致命威胁。 随着收视率飙升至巅峰，危险指数同步暴涨。本不仅要智胜步步紧逼的猎人，更需对抗整个国度对他“惨败”的疯狂期待。 影片改编自史蒂芬·金的同名小说。
复仇新娘
凯蒂·勒克莱齐,杰夫·辛,汉娜·巴尔福特,本·加文,Kendra Carelli,尼克·巴拉德,Charles Christopher,Denny Dormody,肯特·法尔考,Heather Horton,Jana Lewis拥有一个成功的美发沙龙，即将嫁给她梦想中的男人，MIYA认为事情不会变得更好。当她收到婚礼邀请时，事情很快就开始崩溃——她的未婚妻伊恩和前未婚妻洛里的婚礼。不久，宫被一个穿着婚纱和面纱的怪异新娘跟踪，伊恩开始怀疑宫可能正在编造这一切。当一系列可怕的事件开始发生时，宫先生确信莉莉正在实施一个扭曲和致命的复仇计划
得墨忒耳号的最后航程
科里·霍金斯,艾斯琳·弗兰乔茜,利亚姆·坎宁安,大卫·达斯马齐连,克里斯·瓦利,乔恩·琼·布里恩斯,斯蒂芬·卡皮契奇,马丁·弗鲁伦德,尼古拉·尼克拉斐,伍迪·诺曼,哈维尔·博泰特,格雷厄姆·特纳,安迪·穆雷,尼科洛·帕塞蒂,克里斯托弗·约克,努尔丁·法拉西,亚当·肖,杰克·多格特,莎莉·里夫在《吸血鬼德古拉》小说原作者布莱姆·斯托克笔下的一章“船长日志”中，“得墨忒尔”是把德古拉从特兰西瓦尼亚运到伦敦的船的名字——这艘俄国帆船运送着50个没有标记的大木箱出发，而此后在英国海岸线上搁浅，破破烂烂，全船仅存一个疯癫的幸存者。本片的故事将详细聚焦得墨忒耳号的那趟可怕旅程：某神秘的乘客把船员们一个接一个屠杀。
六度战栗
爱德华·福隆迈可透过一张光碟，参加了一场刺激的游戏，在月黑风高的晚上他发现自已稍稍走进一间屋子并从厨房拿刀子杀死一个沈睡著的男人当迈可醒来时他兴奋极了，这一生他从没有这么刺激和开心过，第二天当他看到新闻。天啊！那件谋杀案真的发生了吗？后来第二张CD又寄来了，他决定结束这场荒谬的游戏，但主谋者从迈可的电脑中走出来，他竟是一具有形象的＂人＂，并且一再要胁迈可再玩下去，也挑唆他面对恐惧和幻象，迈可就像受催眠一般他无处可逃，主谋者已经完全控制了他使他分不清什么是真什么是假……
无情的城市
金锡勋,赵成夏,徐英姬2012韩国电影《无情的城市》堪称“韩国版《撞车》”，以9个人物为中心，讲述他们在24小时内发生的连环悲剧。李基英在片中饰演一位放高利贷的放债人，他放贷给面临破产危机的金大宇(金石勋饰)，在金大宇没能力偿还高利贷后李基英就以此为借口威胁金大宇说要摘除他的脏器。特别是李基英在杀死自己的妻子后，当他被指定为嫌疑人接受调查时面不改色、处变不惊、泰然处之的演技表现，令人感到毛骨悚然。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.