被邀请的人们
Catholicism entered Korea in 1784. Lee Seung-hun spreads the words with the brothers of Jung Yak-jong and Jung Yak-yong. The religion is used as an impetus for dispute between political parties so it becomes persecuted. During the Sin-yu Persecution, Ha-sang and Jung-eun avoid torture and surveillance and gather the parishioners, expanding the church's power. Lee Hang-ju, the illegitimate child of Lee Ji-yeon a high ranking official, rescues Jung-eun from danger and is drawn to her at first glance. Hang-ju and Jung-eun's fathers give their blessing to their marriage but one is executed for truth and the other becomes a high ranking official whom no one can approach. Jung-eun avoids Hang-ju's love for the truth and the teachings of the church. Hang-ju desperately chases after his love. When many parishioners disappear like dew on the gallows during the Roman Catholic persecution, Hang-ju receives the Holy Spirit.
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姜武,王志文,李乃文,林子烨,孙茜,冯文娟,温碧霞,李善玉,张琪,李彧,乌兰托雅·朵,平田康之,小野巽,佐藤匠,徐光宇1945年抗战胜利前夕,侵华日军第七三一部队在哈尔滨平房区以“给水防疫”为名,秘密进行惨无人道的细菌战研究,大肆抓捕平民进行活体实验,妄图以此扭转败局。小贩王永章(姜武 饰)等人被强行抓入“特设监狱”,日军以“配合健康检查与防疫研究即可换取自由”的虚伪承诺,欺骗他们遭受冻伤实验、毒气实验、活体解剖等极端折磨…… 影片通过平民视角揭露日军反人类暴行,展现绝境下国人不屈的反抗精神,旨在让世人铭记历史,勿忘国耻,捍卫和平。
忠勇之家
葛丽亚·嘉逊,沃尔特·皮金,特雷莎·怀特,梅·惠蒂,雷吉纳德·欧文,亨利·崔佛斯,理查德·内伊,亨利·威尔克松,Christopher Severn,Brenda Forbes,Clare Sandars,Marie De Becker,赫尔穆特·丹丁,约翰·阿伯特,Connie Leon,里斯·威廉姆斯,Harry Allen,Frank Atkinson,Sybil Bacon,弗兰克·贝克故事发生在一九三九年的夏天,克里姆(沃尔特·皮金 Walter Pidgeon 饰)和妻子米尼佛夫人(葛丽亚·嘉逊 Greer Garson 饰)住在英国郊外,两人结婚多年,生了三个孩子,生活幸福美满。克里姆的大儿子韦恩(理查德·内伊 Richard Ney 饰)爱上了花会创办人的孙女贝尔(特雷莎·怀特 Teresa Wright 饰),情投意合的两人很快走到了一起。战争开始了,韦恩想要为国效忠,赶往了前线,而克里姆和米尼佛夫人则在后方支援。某日,一名德国飞行员受伤闯入了米尼佛夫人的后花园,米尼佛夫人凭借着自己的勇敢与智慧协助警察成功将其捉拿。米尼佛夫人和贝尔小姐在送韦恩前往驻地的途中遭遇了空袭,一时间凶多吉少。
致命录像带99
杰西·拉图雷特,Keanush Tafreshi,Dashiell Derrickson,杰克森·凯利,泰比·迪斯金,维罗娜·布鲁,阿米娜·涅韦斯,凯利·米萨尔,Melissa Macedo,艾丽·艾恩奈兹,Isabelle Hahn,Breana Raquel,Caitlin Serros,Brittany Gandy,Logan Riley,Maurice Webster,史蒂文·奥格,Jerry Boyd,索妮雅·艾迪,Amelia Ann设定在1999年,以伪纪录片形式,聚焦那些看似普通、欢乐的家庭录像带中发现的可怕事件和“鬼影”。
情感价值
雷娜特·赖因斯夫,斯特兰·斯卡斯加德,英加·伊布斯多特·莉莉亚斯,艾丽·范宁,安德斯·丹尼尔森·李,加斯帕·克里斯滕森,莱娜·恩卓,科里·迈克尔·史密斯,凯瑟琳·科恩,Andreas Stoltenberg Granerud,Øyvind Hesjedal Loven,拉斯·瓦林格,Ida Marianne Vassbotn Klasson,Vilde Søyland,Sigrid Lorentzen Abelsnes,Mari Strand Ferstad,Eiril Tormodsdatter Sol姐妹Nora和Agnes与疏远的父亲——魅力非凡的导演Gustav重聚。这位昔日名导试图让舞台剧演员Nora参演自己寄予厚望的复出之作,却遭女儿拒绝。Nora很快发现,父亲已将她的角色转给了一位野心勃勃的好莱坞新星。突如其来的变故迫使两姐妹直面与父亲的复杂纠葛,而这位美国明星的加入,更让本就微妙的家庭关系陷入新的波澜。
科学怪人对地底怪兽
高島忠夫,Nick Adams,水野久美,土屋嘉男,佐原健二,伊藤久哉,沢井桂子1945年,盟军突入德国,德国疯狂科学家李然博士研究的项目----科学怪人法兰克的心脏被潜艇秘密转移到了其同盟国日本的广岛陆军医院,供起研究出不死的士兵,然而核子爆炸使一切化为灰勁.十五年后,科学家在广岛研究核子放射能对人类还有环境的研究中,意外的发先了一个孩子,在检测 中发现其虽然受过核子放射能的照射,但一点都没有被污染,经过调查发现原来这个孩子在核子爆炸后迷一样的出现在广岛的英树医院(原广岛陆军医院),而且他还在不停的变大,所以科学家们推测当年的法兰克的心脏在受到了放射能的影响后,发生了异变,他们称其为广岛怪人法兰克.然而这时的法兰克已经变大到人们不可控制的地步,并且逃出了医院,另一方面,在秋田油田,出现了地底怪兽,最后两只巨大的生物在平原相遇,并进行了激烈的战斗,最后法兰克用火战胜了地底怪兽,然而与此同时一只大章鱼在悄悄的接近他.........
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.