秘密性史:小叔母
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地下室居民
玛利亚·埃沃利,Vanesa Restrepo,卡拉·雅道尔暗黑女子
千眼美子,饭丰万理江,清野菜名,玉城蒂娜,小岛梨里杏,平祐奈,升毅,千叶雄大本能反应
安东尼·霍普金斯,小库珀·古丁,唐纳德·萨瑟兰开麦了吗?
威尔·阿奈特,布莱德利·库珀,塞伦·希德,劳拉·邓恩,艾米·塞德丽丝,西恩·海耶斯,克斯汀·埃伯索尔,斯万米·萨姆派奥,安德拉·戴,佩顿·曼宁,加布·法齐奥,迪伦·比克尔,乔丹·詹森,Scott Icenogle,汤姆·约翰逊,Chloe Radcliffe,德里克·盖恩斯,兰登·威尔森,Reggie Conquest,Seyler Fox混凝土市场电影版
李在仁,红炅,郑满植,刘秀彬,金国熙,崔正云,宋智仁,李家晴,李道根,孙寅勇派对浪客孔明 THE MOVIE
向井理,上白石萌歌,藤冈靛,森山未来,神尾枫珠,诗羽,菅原小春,八木莉可子,宫世琉弥,森崎温,石野理子,石崎Huwie,和田理生,本间朋晃,真壁刀義,长冈亮介,蔷薇园啊呜,菊地凛子,和田聪宏同类推荐
乌鸦
浅野忠信,泷内公美,托比·凯贝尔,高冈早纪五〇年代,相馆世家长子前往东京追寻属于自己的艺术摄影。十年打磨,怪才摄影师深濑昌久在东京重生,爱妻鳄部洋子成为他的缪思女神,痴迷、寂寥、狂乱的灵魂逐步显影。在快门间追求游戏与私密性的展现,深濑昌久步步建筑起属于自己的艺术殿堂。但背后驱动鼓吹他的,却是一只潜伏在心底暗角、如影随形的乌鸦,一点一滴渗透他的心灵⋯⋯
开放日
Anna Paquin,Stephen Moyer,Tricia Helfer,Jessica CollinsA couple on the verge of a nasty divorce attempt to sell their empty love nest and move on with their lives, separately. After a successful open house they are horrified to discover, days later, that a potential buyer didn't leave their home. While Alice is being held captive in the basement, the unannounced house guest moves in upstairs. She senses her capture is being kept a rebellious secret. She knows her way only way out if she can only get out alive.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
无法饶恕的爱
萨拉·克利夫兰,Matt Wells...
飞砂风中转
郑伊健,陈小春,方中信,余安安,叶璇,陈子聪,刘浩龙和义盛坐馆火水(方中信 饰)在筛选马仔后备军时,被一个开餐馆的厨师火腩(陈小春 饰)所吸引,后者做的叫花鸡味道鲜美,令他难忘。从此,他对火腩特别照顾,委以重任。找到了保护伞的火腩可以继承祖业,跟妻子(叶璇 饰)夫唱妇随经营义盛小馆,并盘算让儿女进入名校就读。正在此时,金融危机来临,方中信遇到困难,堂主之位不保,此时他希望能够让火腩做接班人,稳定军心。然而,和义盛开山祖师后人十三妹(余安安 饰)却力荐刚出狱的儿子燕子文(郑伊健 饰)出任堂主之位。于是,两个本不想做堂主的后起之秀被架上了PK台。火腩只想安心经营自己的饭店,而燕子文则希望进入大学进修,无心恋战的两人将面临一场怎样的对决呢?