她高大的身体感觉如此弯曲和弹跳，以至于它漂浮在空中，接受了春药浸透的精油按摩。 明日葉みつは S1 NO.1 STYLE

雨果今年十九岁。像每个夏天一样，他都在大西洋的一个小岛上度过假期，住在他父母的小房子里。但今年不同；雨果身体发生了变化，他的女朋友奎因陪伴着他来到岛上，奎因是一位美容师，她的机智和长长的莱茵石指甲与这个年轻人的沉静和羞涩形成了鲜明对比。这对情侣很快就成了众人瞩目的焦点。

当25岁的加利因在莫斯科走私毒品被捕时，一位母亲和女儿的假期变成了一场噩梦。Orna为证明女儿的清白而进行的斗争使她陷入了一个危险的犯罪世界。

 本作以哈萨维为主角，采取三部曲的形式，讲述“逆袭的夏亚”之后的故事。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster