骗财骗色
本片由四部互相独立但都与;骗 rdquo;相关的短片组成。两部中的故事发生在民国时期:《针到命除》篇,自称针灸专家的华亦佗(谷峰)与徒弟(吴明才)被妇人(欧阳莎菲)请家给女儿看病,两人合演过耸人听闻的双簧,吓破胆的妇人忙掏出几乎全部积蓄,哪想华亦佗一针扎下,女儿一命呜呼,不久华亦佗摇身变作赛扁鹊;《花柳医生》篇,貌美体端的曹丽珠(汪萍)来到珠宝店称她是不远处花柳医生曹济人(姜南)的妹妹,要给待嫁的侄女挑选一套贵重珠宝,选定后,她要伙计周吉(康凯)送到哥哥处,周吉装裱珠宝时,曹丽珠来到曹济人处开始与他攀亲戚,称她在不远处珠宝店上班的表侄周吉得了花柳病,但不好意思求医,等会他佯称送珠宝时请给予特别照顾,早被迷得神魂颠倒的曹济人连连答应。 nbsp; 两部中的故事发生在1970年代初:《印钞票机》篇,靠操持皮肉生意;致富发家的苏菲(邵音音)与安娜(丹娜)听朋友大卫(詹森)说要回国的老外(积高)欲出shou研制的印真钞票的机器,动了心思,而两人拿着该机器吐出的钞票购物、du钱时发现果然好用,兴奋地开出巨额支票将之买下;《我要官人》篇,性胃口大得惊人的周小姐(佘莎莉)嫌未婚夫不中用,凭借风流姿色及一流的业务能力、床上功夫,许多位高权重的男人被她迷惑,shou卖电器的通用公司总经理(岳华)就被她骗得财色两空,而他的老婆、该公司的董事长(陈萍)得知他通用公司女职员时,也以样学样通用起男职员来。
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庇护之地
杰森·斯坦森,博德希·蕾·布里纳希,比尔·奈伊,娜奥米·阿基,丹尼尔·梅斯,哈丽特·瓦尔特,戈登·亚历山大,布隆森·韦伯,汤姆·吴,比利·克莱门茨,托米·梅,安娜·克里里,巴利·吉尔,瑞恩·弗莱彻,亚当·柯林斯,索菲安·弗朗西斯,布莱恩·维吉尔,史蒂文·布拉德斯,路易丝·拉,Rodaidh Findlay双山阻击战
洪卫,刘冠霖,葛佳佳,郭广平,周惠林单独之恋
凯文·詹姆斯,乔纳森·鲁米,金·寇兹,艾莉森·汉尼根,朱莉·安·埃默里,妮可·吉玛多,茱莉·塞尔达,朱莉娅·梅西娜开麦了吗?
威尔·阿奈特,布莱德利·库珀,塞伦·希德,劳拉·邓恩,艾米·塞德丽丝,西恩·海耶斯,克斯汀·埃伯索尔,斯万米·萨姆派奥,安德拉·戴,佩顿·曼宁,加布·法齐奥,迪伦·比克尔,乔丹·詹森,Scott Icenogle,汤姆·约翰逊,Chloe Radcliffe,德里克·盖恩斯,兰登·威尔森,Reggie Conquest,Seyler Fox七年很痒
刘青云,应采儿,刘嘉玲,安志杰,蒋怡太空孤航
亚当·桑德勒,凯瑞·穆里根,保罗·达诺,昆瑙·内亚,伊莎贝拉·罗西里尼,莉娜·奥琳,彼得·帕帕内克,玛丽安·罗登,苏珊娜·斯狄沃诺娃, 西妮德·菲尔普斯,珊妮·桑德勒,约翰·夫兰达斯,巴什·多兰,彼特·布拉哈,米库拉斯·奇泽克,杰西卡·贝钦诺娃,索娜·博蒙特,金伯利·韩,勇·李,埃尔克·卢顿同类推荐
柔似蜜
刘玉玲,劳伦斯·寿,奥赖恩·李,詹妮弗·林,胡紫蕊,陈清仁,伊莱文·李,安季·德贝尼德托,苏珊·波尔法,杰森.托特纳姆,戴夫·沙兰斯基,达纳·德·塞里斯,安东尼·科米斯,埃里克·莱威顿,格蕾丝·沈,凯特·凯林,扎克·卡尔德隆,阿蒂卡斯·埃尔萨斯,施安·汤姆林森,亚当·钱勒·贝勒特,约瑟夫·Y·李,弗兰妮·马斯,乔·梅改编自Frank Shyong撰写的《洛杉矶时报》报道《一个垂死母亲的计划》(A Dying Mother’s Plan)。来自真实事件,被形容为“让人心碎的故事,聚焦理解心理疾病的多层面的重要性,尤其是亚裔社群中”,讲述在圣盖博谷,一个患上癌症绝症的母亲奋力想要帮助自己情绪不稳定的儿子——她发现儿子对大规模枪击案越发沉迷。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
糖果 슈가
崔智友,高东河作为程序员工作的职场妈妈米拉,11岁的儿子东明突然被判定为“1型糖尿病”,受到冲击。医生说她一辈子都要注射胰岛素,对此她感到绝望,但她忍住眼泪站了起来。米拉活用自己曾是工程学专业的专业,引进国内未上市的连续血糖测定仪,给东明戴上,并联动监护人远程监测血糖。有采血恐惧的东明使糖尿病管理变得容易,米拉的家人从低血糖休克的焦虑中解放出来。在环友会会员的请求接踵而至后,米拉开始告诉孩子们如何直接进口并联动连续血糖测定仪,以帮助他们和儿子遭受同样的疾病。但是,米拉被指控是未经许可的非法医疗器械,在没有通关的情况下进口,没有交税。……为了家人,为了欢友会,她与世界对抗的故事将展开。
恶魔的破坏 前篇
几田莉拉,志水彩乃,种崎敦美,岛袋美由利,大木咲绘子,诹访部顺一,津田健次郎三年前的 8 月 31 日,突如其来的“侵略者”,—艘巨大的“母舰”降落至东京上空,世界似乎迎来了终结……在那之后,绝望融入了日常生活,巨大的圆盘飘浮在上空的世界持续到现在。小山门出、中川凰兰两个高中少女,在这个走向终结的世界中,挥洒着自己的青春时代。
血战青龙寨
罗立群,杜奕衡,杜乐,沈芳熙,扬笑,顾问解放初期匪患肆虐,解放军侦察排长向阳奉命前往三湾里剿匪,乔装潜入时竟与已是清风寨三当家的亲哥向天重逢。兄弟二人因立场相悖,在情义与信仰间激烈交锋,向阳强忍纠葛卧底匪寨,智取情报、烧毁粮仓,与战友里应外合展开围剿。面对龙瞎子等匪首的残暴反扑,向阳带领部队浴血拼杀,在哥哥向天的牺牲帮助下,最终彻底剿灭清风寨匪帮。血与火的较量后,这片土地终于迎来和平曙光。