情书ラブレター

6.7 播放:48万 更新:2026-05-24

本片改编自《金子光晴的情书》,原著描述了诗人与常年生活在一起的女性之间的关系,东阳一将其电影化。高桥惠子与中村嘉岚雄大胆挑战爱情戏,引起话题。爱上比自己年长30多岁的诗人小田的有子在别人的白眼中每天等待着小田的到来。即使被擅自登记、擅自堕胎,有子仍继续爱着小田。。。

播放通道

详细简介

本片改编自《金子光晴的情书》,原著描述了诗人与常年生活在一起的女性之间的关系,东阳一将其电影化。高桥惠子与中村嘉岚雄大胆挑战爱情戏,引起话题。爱上比自己年长30多岁的诗人小田的有子在别人的白眼中每天等待着小田的到来。即使被擅自登记、擅自堕胎,有子仍继续爱着小田。。。

同类推荐

超时空猎杀

苗韵桐,郝艾莉,张晶

  2020年,在香港首次发现稳定虫洞,人们可以通过稳定虫洞回到历史上的时间节点,为了防止有人通过虫洞回到历史并破坏历史,时空管理局应运而生。 时空管理局担负着校正历史、让历史按着既定轨道运行的使命。然而时空守卫队队长左石,却突然率领五名部下,携带着超出时代进程的枪支武器,闯入虫洞,回到了历史中的秦阳城,意图以颠覆历史要挟时管局在48小时内关闭虫洞。 为了挽救历史,女探员景彤临危受命与前守卫队队长秦朗,带领新组建的守卫队,配备青铜武器回到历史之中,阻止左石一行。

装袋计划

拉维·卡普尔,兰斯·金赛,Gill Gayle,戴安娜·李·伊诺桑托

面对癌症,奥斯卡训练他的残疾儿子比利在杂货店装袋,希望在时间耗尽之前为他找到一份工作和独立。

混凝土市场电影版

李在仁,红炅,郑满植,刘秀彬,金国熙,崔正云,宋智仁,李家晴,李道根,孙寅勇

...

马腾你别走

林更新,李幼斌,宋茜,王彦霖,李雪琴,陈哈琳,冯雷,潘斌龙

没钱没爱还没心没肺的马腾(林更新 饰)人近中年一事无成,是旁人眼里公认的“废柴”!钢厂退休骨干老林(李幼斌 饰)遵守铁打的纪律活了一辈子本该安享晚年,身体和心理却双双“亮起红灯”!本无生活交集的两人因为一场歪打正着的护工面试相遇,展开了一段啼笑皆非的有趣互救。老林为求解脱,将“协助自杀”的希望寄托在这个不靠谱的护工身上。马腾虽然想赚钱完成女儿的心愿,但无胆害命,只能发挥自己的乐观心态在日常中提供情绪价值给老林。二人在一段特殊的旅途中建立起生死友谊,于病痛与死亡的阴影里找到了活下去的小小微光,携手大胆迎接未知的生活。

好像一切都很糟糕

Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster